Tuesday, February 3, 2015

15 Years of Louis XV in Jurassic Park !

Chers Amis de L’Ecole du Bon Goût,  Bonjour et Bravo!! This week marks the 15th year anniversaire of the completion of my tower follie at Lake Martin!!

        It has been a great joy to live in such an unusual home set in an equally unusual setting. Being in a primordial landscape, on the banks of Lake Martin, which in turn is surrounded by 10,000 acres of the Nature Conservancy, Mother Nature’s wonders abound at every glance. With ten 350 year old, 100 foot tall live oak trees on my property alone, hundreds of handsome alligators in and around the lake, cohabitating symbiotically with tens of thousands of colorfully plumed wading birds (90+ species in all) plus rabbits, deer, raccoons and on and on.....there is “never a dull moment” living in this veritable “Jurassic Park”!

        The construction of the home itself was a complex 3 year endeavor involving a first year of planning, engineering studies (The concrete foundation piles go 26 feet into the earth and contain 15 truck loads of concrete!), acquisition of many antique building materials in France, judicious tree removal, road building, the laying of underground utilities from 1000 feet away+++++. Finally then contractor extraordinaire, Mr. Jim Armentor and his ten men working five days a week for 22 months built the tower.  I worked every weekend with 2 men of my staff.   We had a complete outer shell of 60 foot tall scaffolding, with an Osha approved exterior staircase to service it, a 40 foot tall crane every day and a really big crane 6 times during the project.  Jim’s steady hand attending to every detail and his very talented team of dedicated men made this very unusual project come to fruition without me, the architect and the owner, totally freaking out with the numerous “surprises” along the way!

        One example of the project's many eccentricities is that it was to be surrounded by a masonry moat.  Who do you consult today to find out how to build a moat????  This problem was solved when I happened on the restoration of the ancient moat at the Château Sully in Bourgogne, France. We just used those techniques to build the entirely new moat.

        The architectural style and details of the tower are Régence/Louis XV circa 1735. Likewise most of the furnishings and decorative objects inside are also, with a few “older” Louis XIII and Louis XIV pieces mixed in as would have been the case in most “new” homes of the early 18th century in France.

        What exactly are the classic meanings of the terms “follie” or “pavilion”??

        To quote M. Charles Ryskamp, Director of The Frick Collection, NYC, regarding 18th century French “follies”: “Hours of idleness, the pursuit of pleasure and love by persons royal, noble, or other very rich, have in past centuries frequently resulted in astonishing buildings created for casual amusements. In France, these edifices are exemplified by a few surviving garden follies, and evoked in the letters and journals of those who built or visited such pavilions…”

        To quote M. Bernd H. Dams, author of “Pleasure Pavilions and Follies in the Gardens of the Ancient Regime”, on the subject:  “Follies and pavilions are able to charm us effortlessly, for it is all they were ever meant to do. They are one of life’s great and simple pleasures, and like the faintly anachronistic word “charm” itself they suggest a better, more refined and carefree world that probably never was.”

        True to the classic formula of an eighteenth century French “follie”, the Pavilion de Lac Martin exhibits sophisticated chateau architectural vocabulary and proportions, and it is lighted on all four sides by huge French doors, making it a “lantern”.   It is set in a contrasting, exotic and primordial landscape.  The realistic appearance of this replica of a circa 1735 lantern pavilion, was made possible by employing in its construction, French eighteenth century doors, “boiserie” wall paneling, oak “parquet de Versailles” and  hand made terracotta tile flooring, hand forged iron hardware, limestone and marble mantles, antique wood ceilings of “plafond à la française” design, as well as antique wavy glass in the windows.

        Because of the physically elevated form of tower as well as the numerous large glazed doors throughout, the views into the marvels of the adjacent landscape and lake can be more fully appreciated.

        Having the “Bon Goût” of Mother Nature’s treasures as well as the “Bon Goût” of the architecture and furnishings of early 18th Century France joined together in one living environment has been a continuous joy for the last 15 years for which I am very grateful!

Très cordialement,  Robert E. Smith


"Visions, as you know, have always been my pastures; and so far from growing old enough to quarrel with their emptiness, I almost think there is no wisdom comparable to that of exchanging what is called the realities of life for dreams. One holds fast and sure to what is Past. The dead have exhausted their power of decieving."

Walpole to Montagu written from Paris in 1767










































Photo by Dan Womack
Photo by Dan Womack



Reference books on Follies and Pavilions









If you would like to build your own follie, visit the shop or the website below and see all of the antique French building materials and furnishings available for your project.

Visit the Au Vieux Paris Antiques homepage (click here)
Browse a sampling of the merchandise available (click here)

Mes amities,
Robert E. Smith   (337) 332-2852

http://www.auvieuxparisantiques.com

Tuesday, January 27, 2015

Picture frames are works of art too!

Chers Amis de l’Ecole du Bon Goût, Bonjour. The evolution of “picture framing” had its beginnings with the simple raised moldings of the outer edges of Gothic religious paintings on wood panels and evolved through numerous creative incarnations to frames becoming important works of art in themselves.

True respect and scholarly interest in “picture frames” is a fairly recent notion. We only need to look to the auction catalogues to see masterpiece paintings illustrated for sale, photographed without their frames. In many cases their unshown frames were works of art in themselves.

Another curious example of the original framing not being valued even in the early 19th century can be seen at the Musée Fabre in Montpellier. I adore visiting this important museum begun in 1825 by M. François-Xavier Fabre who, besides being a discriminating collector, was a very talented painter in his own right. However his superb collection of old master paintings dating from the 16th century on to his own time were reframed by him in then “contemporary” 1825 bois doré framing. Although one can say this gives a sense of uniformity to this diverse collection, to my eyes it is jarring. To see a fantastic 17th century painting in C 1825 frame to me is like seeing a beautiful aged grandmother dressed as a newborn child!  

See attached a series of photographs illustrating the evolution of French picture framing from Louis XIII (B:1601-D:1642) to its zenith in the Louis XV ( B:1710- D:1774 ) period when the cost of the elaborate frame equaled or in some cases exceeded that of the artwork it framed! From there the evolution returned again to more classical design sources of a more “tailored” architectural mode.  

Following this pictorial evolution, see photos of artwork and mirrors now at Au Vieux Paris Antiques, for which the frames themselves are a major contributing work of art. With 50+ mirrors and 24+ oil paintings in stock, the shop contains a virtual “history of framing” exhibition, so plan a visit soon or visit the website at www.auvieuxparisantiques.com    

Mes amitiés,
Robert E. Smith









The following photos are of items for sale here at Au Vieux Paris which are expressions of the Art of Framing










Visit the Au Vieux Paris Antiques homepage (click here)
Browse a sampling of the merchandise available (click here)

Mes amities,
Robert E. Smith   (337) 332-2852

http://www.auvieuxparisantiques.com


Tuesday, December 30, 2014

High end 17th century luxury housing

Chers Amis de L’Ecole du Bon Gout.   When I was in Paris last fall visiting Musee Carnavalet, I had the truly delicious experience of seeing the two newly reopened 17th century rooms which had been closed for almost a decade of restoration.

These rooms are virtual “treasure boxes” of 17th century architecture, fine art and decorative arts, and are rare surviving examples of 17th century Parisian high end luxury residential living. The “bon gout formula” here includes: vibrant colors, complex boiserie, architectural sculpture in stucco, illusionistic fresco painting, faux marble, silk damask wall coverings, and oak parquet de Versailles flooring : all this richness seamed together with lots of gold leafing . This is NOT the “less is more” approach svp.

The main Hotel Carnavalet building was first constructed from 1548 to 1560 and is in itself a rare surviving example of Renaissance domestic architecture in Paris.  Beginning in 1655, the famous architect Francois Mansart completed the hotel by raising the height of the wing on the entrance facade.  Carnavalet is also noted as the residence of Mme. de Sevigne from 1667 till 1696, and retains two rooms dedicated to her.
 
In 1866 the city of Paris purchased the building to be transformed into a museum. Through the years many additions have been made to make more space for a library, many other period rooms, and temporary exhibition spaces. Carnavalet was the cutting edge in the museum world to begin acquiring period rooms as part of their collection with their first complete room purchased in 1867. In the private sector, New Orleans’ own La baronne de Pontalba (1795 –1874) was one of the first individuals inspired to install entire early 18th century rooms collected from buildings being demolished, in her Parisian mansion completed in 1840. Today this mansion houses the “Residence de L’Ambassadeur American”.

Musee Carnavalet is truly a “High Temple of Bon Gout” and is opened from Tuesday to Sunday from 10:00 am till 6:00 pm and is FREE to the public, svp! So next time you are in Paris, give yourself a real treat and visit Musee Carnavalet!

Mes Amities,
Robert E. Smith












Additional Images










Visit the Au Vieux Paris Antiques homepage (click here)
Browse a sampling of the merchandise available (click here)

Mes Amities,
Robert E. Smith   (337) 332-2852

http://www.auvieuxparisantiques.com